These artworks grow out of a tension between direct, bodily experience and the re-processing of it through lens-based media. Part dislocated flotsam, part speculation, these digital paintings are mash-ups of myriad sources, recomposed into wholly artificial scenes redolent with possibility.

These speculative landscapes are not stable or complete; instead, they appear to be shifting or in the midst of transformation. This reflects a widening gap between the environments we physically move through and the digital systems that now shape how we see, interpret, and make sense of our world. The images move back and forth between familiarity and collapse. In some areas, hints of trees, water, rock, or horizon are still visible; in others, the scene breaks down into noise and confusion. Fragmentation becomes both a mental and environmental metaphor, pointing to a world under strain but where humanity still searches for connection during this time of ongoing change.