My practice bridges the increasingly narrow gap between life in the digital realm and the physical world.

In my art practice, I work across two seemingly distinct fields: digital image-making, where I assemble photographic fragments into new compositions, and figurative sculpture, where I use the tactile process of shaping clay to represent the human form.

The figures I sculpt embody the effects of societal pressure, psychological stress, and personal experience. They reflect the complexities of human existence—hurt and love, sorrow and joy, power and vulnerability. I juxtapose these sculpted forms with digital compositions in an ongoing search for a space that acknowledges the duality of contemporary life, where technology not only mediates our experiences but increasingly permeates and reshapes our sense of embodiment.